Christopher Miñán Fitzgerald’s multidisciplinary practice encompasses painting, sculpture, installation, video and the cultivation of living trees, often examining themes of human intervention, technological promise and peril, failure, and accountability over time. He frequently documents sustained ongoing processes of shaping organic life, making the training apparatus visible to underscore the artist's persistent role in guiding evolution amid natural unpredictability. This conceptual framework positions his works as dynamic artifacts of long-term commitment, where the blending of organic vitality and artificial constraints reveals the tension between control and autonomy in living systems.